To what do we owe that shift?

I think the critic has changed, Hudson tellsEntertainment Weeklyduring a call about her upcoming comedy seriesRunning Point.

The critic has changed, meaning the whole world is a critic now.

Kate Hudson in How to Lose a Guy in 10 Days

Kate Hudson in ‘How to Lose a Guy in 10 Days’.Credit:Michael Gibson/Paramount

Are you making it for the critic?

Are you making it for the people?

You venture to make the best movie possible, telling the story that you’re trying to tell.

Kate Hudson and Anne Hathaway in BRIDE WARS

Kate Hudson and Anne Hathaway in ‘Bride Wars’.Claire Folger/FOX

Claire Folger/FOX

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Fellow rom-com queenJulia Robertshas cited thelack of robust scriptsas the reason behind her extended hiatus from the genre.

It sounds like Hudson agrees with that sentiment.

Kate Hudson as Isla Gordon in Episode 101 of Running Point

Kate Hudson on ‘Running Point’.Katrina Marcinowski/Netflix

Well, I would never disagree with anything Julia Roberts says, lets start with that, she quips.

It starts with a great story.

I’d love to pat myself on the back, but it’s really the writing.

FromMindy Kaling, Elaine Ko, andIke Barinholtz, the series is ripe with robust comedic storytelling.

I’d never been on a show where you do so much in one day.

You would shoot a scene from two completely different episodes.

I was like, This is a whole new world.

It was really fun to play all of those things.