“100 percent, all the way, you have to follow the money,” she says.
Later that evening/early morning, Harry arrives home.
Before sneaking into bed alongside Jan (Joanne Froggatt), he has a flashback to his teen years.

Tom Hardy.Credit:Luke Varley/Paramount+
The other boy is a young Kevin, who tells Harry about his powerful father.
Harry’s abruptly awakened by the police literally busting through his door.
As Harry’s cuffed and escorted out, he assures his family he’ll be back soon.

Tom Hardy, Pierce Brosnan.Luke Varley/Paramount+
But before the conversation goes any further, Harrigan family attorney O’Hara (Lisa Dwan) busts Harry out.
It’s Richie Stevenson (Geoff Bell) and his goons.
Kevin tells him Harry will get to the bottom of it.

Richie isn’t satisfied with that answer he gives him one hour before he goes after Eddie.
Kevin calls his wife Bella, and tells her to have their son moved to the Harrigan mansion.
And just like that, punkass Eddie is being chauffeured to his grandfather’s mansion by Zosia and Kiko.

But they’re being followed.
Richie has run out of patience, so he’s sent his thugs to capture Eddie.
A chaotic, high-speed chase ensues, resulting in one of Richie’s men being shot in the face.

Paddy Considine.Luke Varley/Paramount+
And with that, we take a quick breather from the escalating war between Richie and Conrad.
We catch up with Harrigan siblings Brendan (Daniel Betts) and Seraphina (Mandeep Dhillon).
But she won’t even hear what he has to say.

Geoff Bell.Luke Varley/Paramount+
But Brendan’s not the only one with a suspicious plan in the works.
Her dad’s skeptical, but tells Bella to send him the details.
Bella later sits down with said associate, Antoine, and assures him she can seal the deal.

Helen Mirren, Anson Boon.Luke Varley/Paramount+
And with those new wrinkles introduced, we now return to our regularly scheduled mob war.
He orders his loyal fixer to find proof of Archie’s betrayal.
But first, he wants him to talk to Eddie, and find out where Tommy is.
With these new details, Harry heads to the Sinful Monkey, a pub where Richie runs his operations.
He meets the mob boss with the intention of keeping things from escalating further.
But with Tommy still MIA, Richie insists on talking face-to-face with Eddie.
Harry promises to find his son, but Stevenson has already found the fixer’s daughter Gina.
After not-so-subtly threatening Harry’s family, he gives him until midnight to find Tommy.
Harry finally makes it back home to Jan, who’s not happy he missed their couples therapy session.
She’s also set up a meeting with a divorce lawyer.
Harry switches the subject from their family problems to his “family” problems.
He tells her about Tommy and Eddie, but insists she and Gina are safe.
His busy day gets busier when he notices three “urgent” texts from Bella.
But Harry’s already got far too much on his plate.
They’ve apparently talked about this before, and Harry thought it was a bad idea.
His opinion hasn’t changed he tells her to leave it alone.
She gets a bit flirty, and asks him to join her.
But first, we head to the Harrigan estate one last time.
Maeve is comforting Eddie, telling him he absolutely did the right thing stabbing someone who disrespected him.
Then she gets dark, and asks how it felt to plunge his blade into the man’s belly.
“It felt fing great!
She then goes downstairs to talk to Conrad, who disagrees with her assessment of their trouble-making grandson.
She gets defensive, telling her husband, “I made you.
I made all of you.”
When we catch up with Harry, he, Zosia, and Kiko have made it to the club.
They incapacitate the bouncers and head to the bar, where Harry immediately blindsides the manager.
Upon violently attacking him without warning, he whispers in his ear, “Where’s Tommy?”
The man doesn’t respond.
Things get real bloody, real fast… for the manager, not Harry.
After beating him to a pulp, the fixer drags him into a backroom.
Covered in blood and barely conscious, he finally agrees to take him to see Tommy.
Cut to an old service elevator with a big, black crate sitting at its center.
The man nods yes, unconvincingly.
Tommy is chopped up into several, small chunks, each neatly wrapped in plastic.