as her desire for more grows and she starts to rediscover herself.

Nicole Rifkin

THE AWARDIST: This performance is unlike any that I have seen from you.

You couldn’t really be thinking about anything other than what was happening in each moment.

Awardist cover of Amy Adams by Nicole Rifkin

Nicole Rifkin

Mari did a really good job at building a set that was very playful.

It really served to help the relationship feel very lived-in and very real.

They seemed so comfortable with you.

Amy Adams in Nightbitch

Amy Adams in ‘Nightbitch’.Searchlight Pictures

It seemed like such a genuine relationship.

They were the best.

It was interesting because I have to be discouraging them while at the same time encouraging them.

Amy Adams in Nightbitch

Amy Adams in ‘Nightbitch’.Searchlight Pictures

Don’t do that."

Kudos to the editor because that plays so well.

That was the eating, your face covered food?

Amy Adams in Nightbitch.

Scoot McNairy and Amy Adams in ‘Nightbitch’.Searchlight Pictures

[Laughs] Weirdly enough, no, that is not.

I’m a pretty silly person naturally.

But the more emotional stuff is where I feel more vulnerable about an audience watching it.

Amy Adams in Nightbitch

Amy Adams in ‘Nightbitch’.Searchlight Pictures

[Laughs]

You’re a mother yourself.

This isn’t a biopic of any kind, but you are feeling things.

I’d like to think so.

Amy Adams in Nightbitch.

Amy Adams in ‘Nightbitch’.Searchlight Pictures

I’d like to think we keep moving forward but two steps forward, one step back sometimes.

[Laughs] But I do know that I’m having really great conversations with people.

The great thing about it, how I feel, is that it is inclusive.

Nightbitch director Marielle Heller breaks down a real ruff scene between Amy Adams and Scoot McNairy

Amy Adams and Scoot McNairy in ‘Nightbitch’.Searchlight Pictures

It’s been nice, the conversations around it it’s deep, it’s nice.

There’s not a lot of superficial conversations that I’m having after people see it.

It’s so fun!

Amy Adams in Nightbitch

My husband saw the final cut before me in a screening.

I always send him first.

I do I always want his perspective.

Nightbitch director Marielle Heller breaks down a real ruff scene between Amy Adams and Scoot McNairy

[Laughs] And I was like, “No, that’s Mari too.”

That’s such a common experience.

I love how Mari shaped that relationship because that also feels very lived in and very real.

Nightbitch Amy Adams

But I knew it was really necessary to just be as honest and truthful as possible.

I just wanted it to feel grounded in her story and in her life and in her relationships.

So I did kind of take the guardrails off a little bit.

Zoe Saldaña in Emilia Pérez, Kieran Culkin in A Real Pain, Ariana Grande in Wicked, Denzel Washington in Gladiator II

Zoe Saldaña in ‘Emilia Pérez’; Kieran Culkin in ‘A Real Pain’; Ariana Grande in ‘Wicked’; Denzel Washington on ‘Gladiator II’.PAGE 114 - WHY NOT PRODUCTIONS; Searchlight Pictures; Giles Keyte/Universal; Aidan Monaghan/Paramount

Even though the presentation might be magical realism, the emotions, of course, aren’t.

That’s all real.

you might’t make that up.

Miley Cyrus

I’ll never get it, but that’s the bar!"

And then the other one is Marion Cotillard inLa Vie en Rose."

Oh, Hilary Swank inBoys Don’t Cry.

Stanley Tucci as Cardinal Bellini in director Edward Berger’s CONCLAVE

Stanley Tucci’s Cardinal Bellini checks for potential eavesdroppers during a private conversation, in ‘Conclave’.Courtesy of Focus Features

These really lived-in characters that just transport you.

Jodie Foster in everything she’s ever done.

Holly Hunter inThe Piano.

‘Conclave’ Script Page

‘Conclave’ script page.Focus Features

You’ll keep thinking of them I love it!

Were there conversations about what kind of breed?

Mari had a very clear point of view.

‘Conclave’ Script Page

‘Conclave’ script page.Focus Features

It started with my eyes and my hair color.

And then they worked with that with Juno.

Yeah, she had a very clear point of view.

‘Conclave’ Script Page

‘Conclave’ script page.Focus Features

But I like it when things unfold like that.

That need for community, it changed so much after I had my daughter.

[Laughs] “You’re not a horrible mom.”

Awardist Cover - Zendaya

We have to talk about Scoot.

He’s so good.

No!…Well, maybe…

The Awardist: Mikey Madison

But yeah, I’m trying to think I don’t think we were ever together.

So when casting Husband, he wasn’t necessarily a thought from that film.

You weren’t like, “I want to get him.”

Awardist cover with illustration of the women of emilia perez, Karla Sofía Gascón, Zoe Saldaña, Selena Gomez

I know lots of people who know him.

I think his work is great.

I know he’s great."

Challengers (2024) Josh O’Connor

Josh O’Connor in ‘Challengers’.Warner Bros. Pictures

I feel like we fell into it so quickly very comfortable.

And he does such a great job not playing an antagonist.

And so he’s working with the information he has but not being very instinctive.

Demi Moore in The Substance, Karla Sofia Gascon in Emilia Perez, Cynthia Erivo in Wicked

She wants to be seen without telling him what she needs.

I’ve fallen into that in my life.

This interview has been edited for clarity and length.

STELLA DALLAS, Barbara Stanwyck, 1937

Barbara Stanwyck in ‘Stella Dallas’.Everett

Check out Joey Nolfi’s predictions for Best Picture, Director, and Lead Actor and Actress here.

But who will it be?

Courtesy of Focus Features

So it’s time to craft a new strategy.

Eddie Redmayne accepts the Best Actor in a Leading Role Award for “The Theory of Everything” onstage during the 87th Annual Academy Awards at Dolby Theatre on February 22, 2015 in Hollywood, California.

Eddie Redmayne at the 2015 Oscars.Kevin Winter/Getty

“With Ridley, we always have costume villages of epic proportions,” Yates says in the video.

“Having a crowd of extras is a challenge because you have a huge quantity of garments.”

And she makes the work easy for the movie’s stars.

“It is an art.”

Watch the video above for more.

His Patrick Zweig struts through every scene with a beguiling swagger, barely concealing the emptiness underneath.

The only difference between them?

She’d lose all four.

this Oscar, this belongs to all of those people around the world battling ALS.

It belongs to one exceptional family: Stephen, Jane, Jonathan, and the Hawking children.

“EDDIE REDMAYNE | LEAD ACTOR, 2015 |THE THEORY OF EVERYTHING